Sarah Sarai's Geographies of Soul and Taffeta takes place in a universe where the real and the un...

In one of the most important of the Aztec festivals, a month of fasting was ended by observers of...

Luminous, whimsical, and heartbreakingly tender by turns, the poems in Lisa Andrews’s Dear Liz ar...

Joseph Osmundson is a scientist and writer from rural Washington State. His writing has been publ...

When can you tell a book of poems is really working? For me, it’s when the poems provide revoluti...

Reading Was Body provided a jolt I didn’t realize I needed. Using tropes of iteration and erasure...

Joseph O. Legaspi writes, 'How do languages speak to each other? Through poetry, of course, and T...

These poems grapple with how romantic relationships, both gay and straight, are defined—and what ...

This Someone I Call Stranger, by James Diaz, is absolutely transcendent. Diaz's evocative and cou...

'We take our pleasure as we can,' Karen Hildebrand writes in the title poem to Crossing Pleasure ...

In Safe Danger, here comes a Stephen Zerance poem sashaying down the street: snakeskin tights, cl...

Antoinette Brim’s These Women You Gave Me brings front and center Biblical mythology and legend t...